For one week only Tenet is coming back to IMAX screens. Check out if you’re fortunate enough to have a screening in your home town – I know in Australia it’s only in Melbourne.
We might not see Robert Downey Jr with Rob in “Average Height, Average Build” now that it’s no loner going forward, but Rob does like talking Rob:
Robert Downey Jr. traces #Oppenheimer's success back to Robert Pattinson's gift to Chris Nolan: "This incredible departure from one of our younger peers turns into him making a personal gift to arguably one of the greatest directors of his generation." https://t.co/hsmY5hzGv8pic.twitter.com/eXVuheqRai
In the latest issue of Wonderland, Barry Keoghan talks with Robert Pattinson about sharing the screen, the power of plastic spoons, and being selective. Get your issue at the wonderlandshop. I know they may work together in Batman 2 but I hope this collab means they WILL definitely work together in the future. I’ve loved Barry since I saw him in The Killing of a Sacred Deer. Rob and Barry playing off each other in a film would be phenomenal. Please make it come true.
Robert Pattinson designed the ear shaped sofa pictured abve. According to Architectural Digest:
Robert Pattinson, by his own admission, is “quite romantic” when it comes to decor. So when he started thinking about his dream sofa, he found himself fantasizing about a piece of furniture without a lot of hard lines. Something people could embrace—which would embrace them right back. He had some time on his hands after filming wrapped for The Batman (2022) movie, and he did some doodling.
“I started sketching pieces of furniture I thought would make people interact in a playful and informal way,” he tells AD. “They all had disproportionate, oversized elements that were quite fun. And in the process of making some models out of clay, I found that organic overlapping curves had a similar effect.”
Once he got deeper into the design process, the actor stepped back and realized his creation—with its overlapping curves and soft lobe-shaped appendages—looked a lot like an ear. For a sofa meant to foster intimate conversations while being an innovative conversation piece itself, it was all perfectly meta.
He began working with designer Nicole Gordon, who’d decorated two of his homes and had done some work on his parents’ home in London. “Rob wanted a piece where you could nestle in to read,” she tells AD, “but was also sturdy and stable enough for a number of people to sit on at a party.”
The pair took his clay models and made 3D renderings, then eventually landed on a blueprint. They worked with designer architect Andrea Cadioli to build a wooden frame covered in muslin and began tweaking and massaging the shape with upholsterer Claudia Bracamontes. Because Pattinson wanted a “floating” effect, Gordon says, “The most challenging technical part was engineering it so it could actually support people and wouldn’t topple over. So we built this metal frame inside the carcass of the sofa that lets you put 350 pounds on each of those floating arms.”
Pattinson also wanted a pop of contrast for the base of the sofa, so he picked out a slab of pink onyx at the stone yard and they carved the slab to match the curvature of the base. They also embedded pink onyx drink trays on either arm rest.
The biggest struggle, Gordon says, was choosing the fabric. “I have a charcoal Labrador named Mason,” she says, “and Rob was like, ‘I want it to look like Mason’s fur!’ So we started looking at grays and shearlings. But then he was like, ‘No, actually, I want more of a strié.’” Ultimately, he ended up choosing a white linen velvet by Otis Textiles.
Once the sofa was complete, Gordon encouraged Pattinson to sell a limited series somewhere. She wanted to show it to Joel Chen, who owns JF Chen in Los Angeles. Chen was thrilled with what he saw.
“I was in awe of the somewhat complicated design,” Chen tells AD. “The sofa is entirely unique, and Rob’s strong sense of the angled shapes interpreted from everyday objects is incredible. This is the first prototype of a limited series he is making, and it certainly belongs in JF Chen—where we dive into up-and-coming artists.”
Pattinson’s original sofa is now on display at JF Chen, which is selling six of the made-to-order pieces. As for Pattinson, the sofa’s existence is a new marker of how far he’s come. When asked to recall the worst sofa he’s ever owned, his answer is appropriately antithetical.
“My least favorite could also be my most favorite,” Pattinson muses. “There was a time when the only piece of furniture I had for about six months was an inflatable boat that would double as my couch, bed, and dining table. I loved it very much but it caused a lot of back problems.”
The boat was bad for the back, maybe, but it had at least one thing in common with Pattinson’s new sofa: It’s a fabulous conversation piece.
For those who don’t know, Rob’s production company Icki Eneo Arlo produced the recent film “Rotting in the Sun”. Rob recently interview the star Jordan Firstman for Interview Magazine. Below is the interview conducted over Zoom:
“Jordan Firstman is in his movie star era. The 32-year-old writer and comedian got famous by posting during lockdown, mostly in the form of impressions and character sketches on his Instagram page. But talent that big can’t be contained to an iPhone screen, which led Firstman, who was getting bored of social media fame anyway, to his first starring role in the Sebastián Silva-directed Rotting in the Sun. In the sex-and-ketamine powered dark comedy, Firstman and Silva play versions of themselves in a sort-of retelling of how they first met on a gay beach in Mexico. What follows is a dead-on satire of a world where clout-chasing and creativity collide—to reveal any more would spoil the experience (you can watch it on Mubi). One person who loved it was Robert Pattinson, who signed on as a producer through his company Icki Eneo Arlo shortly before the movie’s Sundance premiere. A few weeks ago, he joined Firstman on Zoom to ask about social media fame, courting controversy, and gay sex.
JORDAN FIRSTMAN: Hey, what’s up?
ROBERT PATTINSON: How’s it going?
FIRSTMAN: Are you still in London?
PATTINSON: Yeah. I’m so brain foggy. I feel like I’m jet lagged, but I’m not. Are you in L.A.?
FIRSTMAN: I’m back in L.A.
PATTINSON: Is this the first time you’re promoting something in a conventional movie sense?
FIRSTMAN: Yeah. I’ve done traditional press before, but I’ve never had to talk about the same project to 50 different outlets and be asked the same questions over and over again. No one teaches you how to do that.
PATTINSON: I was thinking that this morning while doing my research for this interview, which was looking at your Instagram when I was on the toilet for about five minutes. [Laughs]
Jamie recently took part in Wired’s “Autocomplete Interview” and had this to say about Rob. From The Insider:
Jamie Dornan admitted he was envious of his former roommate Robert Pattinson‘s early luck in Hollywood at the start of his career.
“I’ve known Rob forever,” Dornan said while participating in the latest edition of Wired’s “Autocomplete Interview” video series, released Monday. “He’s a really good friend. I love him. I think he’s one of the most interesting, exciting actors around.”
“I probably at one point was quite jealous early on,” the Irish actor continued. “We were all friends back in London and Rob was going places and we weren’t. I think he’s the nicest guy in the world.”
“I think with Rob it’s always been like, he sort of had success earlier, so we were a bit like, ‘Does he really fit in with us?’ Because we were not working and he’s working all the time,” Dornan explained to Entertainment Tonight in March 2022. “He did ‘Twilight’ and was suddenly in a different stratosphere than us.”
Watch our interviews with Rob. You can check out our other interviews with David Michod, Liz Watts & David Linde at our dedicated film page for The Rover
Release Date: 17 July 2026. | Filming January to April 2025 (UK,Check out all upcoming information at our dedicated Film Page by clicking on News below
Information for all of Robert's past films can also be found at RPAU's individual film pages by clicking photo below.
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