New Rob interview in the upcoming July/August issue of Film Comment.

Nicolas Rapold of Film Comment had an opportunity to chat with Rob during the Cannes Film Festival. An excerpt from the interview follows. You can read the full interview in the July/August issue.

What’s your favorite Claire Denis film?

I really love No Fear, No Die. I didn’t know who she was when I saw White Material, when I was shooting one of the Twilight movies. It was on this cable channel in Baton Rouge. I was transfixed.

Let’s talk about Good Time. Your character, Connie, is almost like an actor in his life, a shapeshifter. And he sizes everyone up.

He has an innate understanding of what people want. And he does sleight of hand—he’s very good at diverting [attention]. When we were first developing it, they really wanted to push in the direction of making him a sort of mystic. He doesn’t really realize what that is. He’s a loner, and the more you live in isolation, the more you develop a unique fantasy life in your head. I think he’s running stories rather than lies. When he talks to the cop in the hospital, I was imagining that it’s not lying. The immediacy was the really interesting part to me: he doesn’t have to think, it’s so instinctive.

When you work on a character, do you think about why he’s like that?

I like things where you don’t know, and it’s like jumping off a cliff to see what happens. There are also certain elements of the character that you, as a person, really object to. That means you know you’re in the right area, that there’s something good happening, and you’re really not in your comfort zone.

What did you find yourself objecting to?

The first scene we shot was when I break [my character’s brother] Nick out of his therapy session. We were in a hospital when we were shooting it, and there were a lot of mentally handicapped people around, and Josh was like, “Say, ‘This is what you think you are?’” And I was like, “I don’t want to say that! That’s fucking crazy to say that.” And it’s like, no, that’s a thing: he refuses to accept that there’s anything wrong with his brother, simply because he’s his brother. There’s definitely a narcissistic streak throughout, and I know that’s a typical thing among lifelong criminals as well. There were definitely a few other moments…

Source: @FilmComment